I love this book!!! It is not only an inspiration for puppy raisers, but also a look at life in general. Everyone should read it. I am a puppy raiser in FL and raised a puppy who looks just like Otis - what a bonus for me.

Why is this book out of print? It is so magnificent!!!...

Watching her black lab puppy Otis grow up, the author learns a lot more about surviving life as a human -- how to appreciate each day as a special gift, to give love unconditionally, to forgive without thinking twice, and to appreciate the simple things. The lessons Otis can teach all of us are very thought-provoking. And the illustrations in this book are magical, capturing with exact precision the moods, facial expressions, body language, and trouble that puppies, particularly black lab retriever puppies, often get into. A very uplifting book for dog-lovers, and just ordinary humans, too. Highly recommended!

This is a wonderful book! I read it frequently -- whenever I want to remember what is REALLY important. Of course, my face is wet with tears by the time I'm done, but they are tears of gratitude. Read this book when you need to remind yourself that what matters in life is not fame or fortune, but love. Once again, animals show us how it is done.

Like a needle in a hay stack; that is how I always felt among people in the world; yes, I have been a victim of rankism and I have been very aware of it, but the social consensus is so strong that it is very hard to find somebody that will admit this is going on. Everyone seems to believe that rankism is a normal part of life. I see friends suffering because of it, and yet, they swallow the angst and sadness and go on about their lives making themselves believe that it is somehow their fault whatever is happening. Maybe someday they will get to be an authority and make someone else suffer right? PLEASE EVERYONE, READ THIS BOOK!!
Fuller did a great job in bringing an awareness of rankism, though I felt he did not let himself go completely in his writing. Though he argues that rank itself is not the problem, and that the abuse of rank is the culprit; I believe rank itself causes people to automatically abuse it--rankism. Yes, I agree that rank is important in a society but most people in our society have an ingrained belief that to have high rank automatically equals to have authority over someone, in that authority means that whoever is under you is obligated to do whatever you want. Buy this book,read it, and have your whole family, friends, and rankists in your life read it too.

As I read Fuller's Somebodies and Nobodies, I realized that I have myself pulled rank and been the victim of rank-pulling. But more importantly, many problems on the world stage today could be address, maybe even solved, by taking a 'rankist' perspective: North Korea's illogical stance against the world, Osama Bin Laden's attack on the US and Bush's response in attacking Iraq - each of these are generated by issues of 'dignity' and 'indignation' as Fuller describes them. Read this book!

This is the book that I'm giving my friends for Christmas. I can't recommend it highly enough! It has sharpened my vision when I look at the everyday life around me, and how I cope with my family's attempts at manipulation and how I evaluate what I read in history, or in the newspaper or what I see on TV.
Even after all the work that we might have done in changing our attitudes about racism, sexism and any other ism we've known about, there's still been a lurking discomfort that we might not have been able to put our fingers on. This is what Robert Fuller calls "rankism."
Once you read this book, you'll see how rankism infects every aspect of our lives.
The signals can be very subtle, as in the old hooks that snare us when we turn into children in the presence of our parents. But now this author has articulated what we might not have been able to and given us ways to cope with things that we may have had only a felt sense about.
Until a few weeks ago, I enjoyed watching "The West Wing" on TV. The writing is so smart, so snappy, the actors were who I wish were running the country. Then last night C. J. Craig condescended to a new employee, telling him how little she thought of him as he was about 17 steps below her in rank. I felt a little stab of pain, as some of the pleasure was removed from the one show I looked forward to seeing.
Another interesting take on how rankism affects us all concerns the way certain U.S. Indian tribes are flipping the status they've had to endure for several centuries. With the advent of casinos and money, tribes are now standing up and saying, "We're still here. We count. We have clout. You can't ignore us or roll over us anymore." How they express this new power is a mirror image of the ways they were treated, and it's greatly unsettling to many politicians, townspeople near them, and casino visitors.
I'd like to take issue with one point in the editorial review which said, "...the book falls short of providing enough concrete steps on how to fight this abuse, including only two brief chapters."
Think about it: was there any one book that told us during the civil rights era what racism was and how to combat it, any one book with neat social recipes that required no more suggestions, training, or thought? What was needed then is exactly what is needed now--- many people thinking about how rankism robs us of our dignity and often wealth and health and our very lives. And each of us will confront differing situations which will require creativity and courage and hard thought. This is the book that begins to hone our awareness. Many more books will have to be written about how people confronted and defused or resolved the problems that this mindset engenders.
This book is a well-written opening statement. Maybe he'll write another one that contains the many stories of what people saw after they were aware of rankism and what they did about it. We can only hope so.

"The human race, without intending anything of the sort, has undertaken a gigantic uncontrolled experiment on the earth. In time, I think, this will appear as the most important aspect of twentieth-century history, more so than World War II, the communist enterprise, the rise of mass literacy, the spread of democracy, or the growing emancipation of women." (J. R. McNeill)

Over the past few years there have been a spate of histories of the 20th century. Most of them have been written from traditional, often Eurocentric, historical perspectives that focus upon political history set in the context of socioeconomic development and ideological and military conflict. J. R. McNeill's *Something New Under the Sun* replaces the political narrative, usually found at the center of histories, with an environmental one. It invites readers to reevaluate the legacy of the 20th century.

By any measure, the 20th century is, as McNeill characterizes it, "a prodigal century." In terms of growth of population, economic development, and energy production and consumption, it is a case of 'quantity having a quality of its own.' On the one hand, it is a triumph of the human species. (McNeill suggests readers consider that over the past 4 billion years of human history, 20% of all human life-years took place in the 20th century.) On the other hand, this prodigal century - this triumph of human ingenuity - has also exacted an unprecedented environmental cost. It is this trade-off that McNeill's book explores.

McNeill's approach is interdisciplinary, and the book is divided into two sections. The first section is organized around transformations to the lithosphere, atmosphere, biosphere, and hydrosphere, and the resulting pollution and resource depletion. Each topic includes a (very) brief conceptual introduction, case studies from around the world, (black and white) photos, maps, and tables. This section also includes the best example of unintentional environmental consequences. McNeill introduces Thomas Midgely, the inventor of leaded gasoline and Freon, "[who] had more impact on the atmosphere than any other organism in earth history."

In the second section, McNeill introduces the 'engines of change" - 1) population growth, migration, and urbanization, 2) energy, technology, and economic growth, and 3) politics and environmental awareness. The pulses of 'coketowns' and 'motowns' take place amidst the tumultuous social, economic, and political events of the 20th century. Environmental awareness doesn't take root until the 70's - a critical period for women as well. (His examples of Rachel Carson and Wangari Maathai were well chosen - and gendered.) In his epilogue (So What?), McNeill's history portends an environmental crunch, a change of circumstances - a dilemma unlike the world has witnessed so far.

"With our new powers we banished some historical constraints on health and population, food production, energy use, and consumption generally. Few who know anything about life with these constraints regret their passing. But in banishing them we invited other constraints in the form of the planet's capacity to absorb wastes, by-products, and impacts of our actions. The latter constraints had pinched occasionally in the past, but only locally. By the end of the twentieth century, they seemed to restrict our options globally. Our negotiations with these constraints will shape the future as our struggles against them shaped our past." (J. R. McNeill)

*Something New Under The Sun* is written in a popular style well suited to both non-fiction readers and students. Readers of environmental historians like William Cronon, William McNeill, or Alfred Crosby will certainly find McNeill's book interesting. Personally I think that McNeill's global perspective of the 20th century will stand the test of time.

McNeill's basic thesis is that in environmental terms, the 20th century has been unprecedented in human history and planetary history in general. He points out that the impact of humankind's breathtaking technological advancements in the last 100 or so years can be likened to a major cataclysm, like an asteroid hitting the planet. The book provides a wealth of background information on a number of major technical/technological developments, and how they have improved the lives of many people but also damaged or imperiled the air, water and soil that sustain all life. McNeill is hardly a Luddite or a primitivist, but he does make some reasonable calls for restraint and, perhaps, a worldwide assessment of where human economic/industrial/technological activities are taking the planet. Interesting in this vein is his consideration, toward the end of the book, of how the economic thought of the last century, with its adherence to the concept of unlimited growth, has played a key role in preventing such an assessment. As he points out, overcoming this way of thinking represents a daunting task, since these (Anglo-American) economic doctrines have assumed the status of irrefutable dogma - like any system of religious beliefs.

For a throughly researched, densly written , book of facts to be readable is almost a contradiction. Yet this is exactly what J.R. McNeill has accomplished. He is a Historian, most interested in change, objective in his assesment of those changes (Who and What benefits, Who and What doesn't), anthropocentric(a viewpoint too often missing in environmental studies), and broad-minded concerning possible approaches to problems (the shark has done very well for a very long time).

What makes this such an important book aside from its readability and penetrating analysis, is perspective. J.R. McNeill considers history without consideration of the life-support system of Earth or ecology that neglects social forces, incomplete and capable of leading to dangerous conclusions. Further, "Both history and ecology are, as fields of knowledge go, supremely integrative. They merely need to integrate with one another."

Having grown up in Pittsburgh, Pa., I can attest to the author's history of Pittsburgh and to his grasp of the complexity of problems there (for instance: Andrew Carnegie found the level of pollution intolerable, later some unions fought smoke-control). In today's world, no matter where we live or what work we do,environmental issues will arise.

This book by elucidating the processes and trends that underly today's world, gives us a foundation on which to base our opinions and choices, working toward the day when we , in the author's words, "Make our own luck, rather than trusting to luck..."

Mr. Ray's Weekend Novelist is an excellent reference book. However, I wouldn't necessarily use it as a template for writing a novel . . . unless you plan on writing novels similar to Mr. Ray's or to Ann Tyler's "The Accidental Tourist", the novel that Ray uses as an template throughout citing it as a perfect example of a well written novel.

For those new to the daunting task of writing a novel, this book can pigeonhole you into thinking this is the only way to tackling writing. I came across that dilemma. After getting halfway through the book, doing the exercises and starting to write my own novel I began to abandon my old habits of writing and started to adopt Mr. Ray's. I started to feel that I couldn't put pen to paper UNLESS I completely plotted my novel, developed my characters and set up every scene. This didn't work for me. The natural flow I usually feel when writing was taken away and eventually I completely gave up on the process returning to my methods of writing: sitting down with a pad and pencil and allowing the ideas to flow. Then fine tuning the story only after I have a huge chunk of it written and some idea of what I want to convey. Not all novels are structured in Mr. Ray's manner, not all novels use Aristotle's incline to develop plot and storylines and not all novels can be written in 52 weekends.

Not to say this is a bad book at all. It's a wonderful reference book full of ideas and exercises to help you strengthen your writing. For example, it never occurred to me to create backstories and timelines for each of my characters giving them dimension and realism. Ray also offers exercises to help you set up scenes, write dialogue, write action and plot your novel. I now find that I refer to these exercises to help me develop my writing but I no longer follow the program.

This book is a great starting point for those interested in writing a novel but do not have an idea how to start (one more thing: you definitely have to have some idea of what you want to write BEFORE you start). However, for experienced writers you will find that this book is more useful as a reference guide rather than a program to follow.

I wish I had studied this book before I ever put pen to paper. I used to think that if only I had something very interesting to write about, then all I would have to do is start writing, and a great story would magically appear. Robert Ray helped me understand just how much planning and preparation go into writing a good novel, as well as what to focus on when plotting your story. There are three things in particular that this book taught me which were especially helpful.

First, this book taught me that what really drives a novel is the characters and their relationships to each other and to events. I looked at Grisham and Clancy and thought that smooth prose filled with action would make a novel into a bestseller. Although that is sometimes true, Robert Ray showed me that the real key to a compelling, meaningful story is a stellar character through which the reader can identify. A good character can drive the whole novel.

The second thing this book taught me, which was perhaps the most valuable for me, is that the basic building block of the novel is not the chapter or even the major plot points, but the individual scenes. Robert Ray shows that each scene is like a compact story within your story, with a set-up, a middle part for conflict and development, and a climax which pushes the story into the next scene. The section on scene building in this book was excellent, and it gave me the breakthrough I needed in understanding how to give a story real structure.

Finally, this book helped me understand the importance of the major plot points, and what has to happen in the scenes at these points in order to make your writing tight.

In addition to the above, this book has many basic tips on how to organize yourself, how to approach your writing, and how to work through the major revisions of your story. There's even an appendix at the end with tips on getting published.

For an amateur like me who has never had any classes in story writing, this book was the most helpful guide that I was able to find.

Robert J. Ray's "The Weekend Novelist" can help just about anyone realize their potential as a novelist. I don't think any of us out there can drop everything to become a professional novelist (unless you're born into wealth, I guess). We all have to work sometime. So, Mr. Ray puts together a program that will allow you to not only write a novel on the weekends but also write a novel with depth and meaning.

Before I read this book, I wrote lots of short stories and the start of a few novels. I used this book to turn some of my old ideas into the reality of a manuscript.

I felt myself getting bogged down at first by following his program of hashing out the details of the lives of the characters. But I quickly realized the commitment that is involved in writing a novel. It's important to develop meaningful characters/structure before you start writing.

Thanks, Mr. Ray! I highly recommend this book to any aspiring writer.

Every five years or so, it seems a new writer comes along and gives the genre a big push. Scott Turow and John Grisham turned the legal thriller upside down. James Ellroy drove the historical epic to the heights of literature. James Lee Burke breathed new life into the detective story. These are all well-known names. And Robert Ellis deserves to be set right beside them.

Access to Power is a political thriller unlike any I've ever read before. As one murder begets another, Ellis peels off layers of corruption in bits and pieces. The result is a haunting view of the world we live in. Politics as crime performed in real time from the inside out.

The novel unfolds in a straightforward manner. I found Ellis's writing to be colorful, if not poetic at times. Here's a brief sample, a short description of a minor character: "Zain's glasses were so thick, Frank had never been able to tell what color his eyes were. Fingerprint gray maybe, with a smudge of blue."

This kind of storytelling is like word candy. The track the story races down is fast and furious. And Access to Power is loaded with plenty of juice for the ride.

Damn that Robert Ellis! I read Access to Power on the recommendation of a friend, and I couldn't put the book down until I finished it. Which is great, except that it kept me up until 4 o'clock on a Monday morning, which made me useless for work that day. Access to Power is the best thriller I've read since the heyday of Robert Ludlum. The novel shows a real sophistication about Washington politics, and it's a first-rate murder mystery besides. Ellis writes in short, compelling chapters that make the book really easy to read -- and almost impossible to stop reading! This is a great book for a vacation or a long trip. If you like mysteries, it will hook you right from the start, and you'll enjoy a great roller-coast ride as the plot winds along to the surprise ending. A great beach book!

Robert Ellis's first novel is a wide open window into the inner workings of the political machine wrapped around a taut tale of murder, double crosses, and sex. From the Capitol to the monuments to the slums, Ellis shines a light into every corner of the campaign machine. It's obvious from his narrative that Ellis has spent his time in the trenches and he brings a strong realism to every page. Toss in a hit man bent on self improvement with a destroyed candidate bent on revenge, mix well with a Senator's wife who will do anything to win and you have the basis for a great story of politics in our time. Everyone wants to move to the top. Forget Monica, there are far worse doings in Access to Power. Ellis doesn't miss a beat. You'll look at political campaigns in a whole new light after reading this.

I teach Kindergarten in New York City. My students sat totally engrossed as I read the story of Ruby Bridge's struggle to gain an education in New Orleans, Louisiana.

After I finished the story they asked to hear it again. My five year students actually had a sophistated discussion about the moral wrongs of Ruby's experience. To quote one little boy, "But that's not right. It doesn't matter what someone looks like, they should be able to go to school."

My students totally got it! In January we learned about Martin Luther King, Jr. and they instantly connected the Civil Rights struggle lead by King to Ruby's experience of going to an integrated school. They also learned the value of education. It was an awesome experience.

I highly recommend this book to anyone with children or works with children.

Wonderful, powerful, humbling true story of Ruby Bridges, a six year old African American girl in 1960, sent to integrate an elementary school in New Orleans. Children of the 1990's will be speechless with astonishment when they come to understand the ugliness of racism. Ruby's calm perseverance, academic commitment, and gracious forgiveness are powerful lessons for all of us, parents as well as children. MUST READ FOR MARTIN LUTHER KING DAY. Ruby's story makes it all make sense.

Short Synopsis: Young Ruby Bridges is ordered by a judge in 1960 to attend William Franz Elementary School. She is the first African American to attend the school. A mob gathers to shout racial insults at Ruby on her first day at school. Marshals accompany Ruby to school for months as crowds gather daily to protest. Ruby is taught alone by Mrs. Henry as white children are pulled out of school. The story ends with Ruby praying for the forgiveness of those who are persecuting her.
Critical Review: This is an excellent historical story about a young girl's determination and love. Students will see how hurtful racial prejudice is, and will better understand what African Americans went through at this time in history. The book is illustrated by George Ford. The pictures are large an bright. The colors are beautiful. The eyes of Ruby follow along so well with the story. They seem to paint a picture of Ruby's soul.
Curriculum Connections: This book fits into my social studies curriculum. I use it while studying the history of the southeast. It also fits in well with units on civil rights and famous African Americans.

The African American Writers Handbook : How to Get in Print and Stay in Print by Robert Fleming is the most comprehensive book on writing and being African American in the publishing industry. This book gets beyond the promoting part of being a writer. This book delves into the real issues and explores serious questions such as agents and if and when race should be an issue. This book will soon be the standard for all writing courses worldwide.

The African American Writer's Handbook is an excellent writer's source, even for me and I am not an aspiring writer. I cannot believe how much information there is in this small book for writer's and reader's as well. Mr. Fleming shares his vast knowledge with the reader. His excellent Writer's Resource section alone is worth more than the cost of the book. Mr. Fleming has removed weeks maybe months of research legwork and has put everything one needs to know to get started in the world of writing in less than 400 pages.This book is a very necessary tool for all would be authors. It also gave me a diffferent view of and a brand new respect for my favorite authors for their hard work and dedication to their craft.Why would anyone not interested in writing buy this book? Because it gives you insight into the whole genre of writing. Because you get a chance to read interviews with editors and author profiles. You also get URL's to websites, a list of AA booksellers with addressses, telephone and fax numbers and much more.I so recommend this book.Vannie

For any African-American writer, published or unpublished, self-published or mainstream published, this book is priceless. It is a powerhouse of information that any writer can benefit from. From tips on writing and submitting book proposals, query letters, and manuscripts to advice on locating and obtaining an agent to interviews with some of the top people in the business, you can walk away with a ton of knowledge that will help you push your writing career forward.

The AA Writers Handbook can save you dozens of hours of research because everything you need to know is comprised in this one gem of a book. While there are a ton of writing handbooks, it is a breath of fresh air to see one completely dedicated to the plight of AA authors. This book should definitely be included on the reference shelf of any writer serious about their craft.

I simply echo the others - read this book - it is wonderful.
It's full of the drama and comedy of life, like a fine play. Yes - the characters can be seen as stereotypes, but more often they evolve into a rich complexity, as their lives and ideals clash. Their close comunity and common dangers propel them through a suspensefull and wryly narrated struggle. Like Steinbeck, Crichton crafts the events of a time to work changes on people and force out their best, and so the tale inspires. I read it years ago, and reread it, and then gave it away. Now I have regained it (used), and find myself again rereading it. Why in heaven's name is this book out of print?

I bought this book on a pavement in Bombay and have read it a dozen times since. Santa Vittoria, a small hill town in Italy, struggles to hide their most precious possession from the occupying Germans, a million bottles of fat black wine. Consequently, in the struggle between the methodical, self procalimed 'superior-raced' Germans and the uncouth, seemingly naive but clever Italians, the latter manage to hide the wine and keep it too. The Nazi captain Von Prum tries to find the hidden wine till the last day of his departure from the little town, but the secret lies safely in the hearts of the people, for whom wine is their life and blood. A cleverly written book, with subtle humour and insights into workings of an Italian mind, The Secret of SV makes one wonder why it isn't in the list of the so-called "popular, best read" lists.

Beautifully written characters populate this wonderfully crafted story of a tiny Italian town's struggle to protect its lifeblood (both spiritually and financially) from an occupying German force during WWII. The crux of the plot is an amusing battle of wits, philosophies and endurance between the town's bumbling mayor, Bombolini, and the staid German Captain, Von Prum. Guiding each man's actions and outlook are the teachings of Machiavelli and Nietzsche, which makes for an "interesting" coupling. The story showcases the heart and humor of the Santa Vittorians, who are much more than what they seem. Eight years after first reading it on the recommendation of my 12th grade Philosophy teacher, I picked it up to enjoy the story all over again.

I've been a UNIX admin for about ten years. Hunt's crab book has pretty much lived on my desk since it came out. I've got NT boxes sneaking in the back door now and needed to learn the NT TCP environment fast. This book gave me what I needed. It's going to end up living on my desk too.

If I could buy only five books to help me run my network, Windows Nt Tcp/Ip Network Administration would be near the top of that list. (Another would be Minasi's Mastering NT Server 4.) The advice is detailed and practical, the writing is down-to-earth, and it's obvious that the authors are deeply familiar with the protocols and applications they are writing about. I start with this book first when I have a TCP-IP question--even before TechNet, because Hunt and Thompson give you the real skinny, not the "company" answer. Also--and this is rare for technical titles--this book is carefully-edited and a pleasure to read.

I've bought almost a dozen books about Windows NT and TCP/IP for my job and to prepare for the MCSE TCP exam. This book is by far the best of them for overall coverage of TCP/IP in the NT environment. It's not sold as an exam prep book but I found it much more useful for exam prep than the several books I bought that supposedly were for that. Buy this one first. You probably won't need any others.

Thomas J. Ryan wrote The Adolescence of P-1 in the mid-seventies, and for its time, it must have been a breakthrough in computer science-fiction literature. The story is compelling: an adaptive computer program is created and set loose by a bored college student and becomes so advanced that it develops self-awareness. The computer virus, dubbed P-1 by its creator, can communicate with humans in English through a computer terminal. The dialog between P-1 and the humans is both amusing and provocative, while P-1's ominous nature tugs at the imagination. P-1's existence has a purpose: to survive. Eventually, P-1 must deal with the value of human life and the meaning of what it means to be human. The theme of the novel centers on those two topics while tying in to the speculations on Artificial Intelligence.

However, the novel is not perfect. The Adolescence of P-1 was written by and for those in the nascent computer industry of the mid 70's, an intensely male-dominated industry. As a result, the female character in the novel (the hero's girlfriend) seems a bit oversexed for reality, especially in the beginning. I read through the cheesy, unrealistic dialog and laughed at its wackiness. It seems as if the author dreamed desperately about a woman like this, and had to write her in somehow. Or Ryan might have done a little satire on the flat characters of pop culture by putting one in his novel. But I wouldn't rule out the first possibility. Later, however, when the plot's theme broadens to encompass the more philosophical scope of humanity, she is portrayed as the vital feminine counterpart to the hero.

I think of myself as quite the computer buff, with a comprehensive knowledge of the computer industry and its technological history. However, in my short 17 years of age, I had never encountered the level of computer competence that this book demands. The actual technology described in the book is ancient. Although the author clearly explains the concepts that are required for believability, a few explanations cover too much depth and move too quickly for any normal reader to follow.

But I thoroughly enjoyed the book despite these minor setbacks.

Ah, the wit of a computer geek.

"The Adolescence of P-1" is one of those rare books: one that will satisfy computer enthusiasts as well as those who STILL can't program their VCR. It is an engaging tale about a programmer who creates a computer program that will find its own way into large computers. All the while the program "learns" from its mistakes and improves itself. Then one day it disappears ... and that's where the story starts. Considering this novel was published in 1977, I have been constantly amazed as to how well the author describes the workings of computer systems. Even though the computers in the novel are way out of date now, the story still seems surprisingly contemporary. The characters in the novel are believable and are well developed. This is one of the few books I can pick up and re-read many times. Many people I have lent the book to also like the story very much.

I read this book the first time decades ago. I was just getting my feet wet in the computer industry and the story was compelling and exciting. We didn't really know it at the time, but the hero of P1 wrote a polymorphic computer virus that could learn and grow. We are getting to this point only now, so the story has enormous relevance. Don't get me wrong, I'm not glorifying computer viruses. What attracted me then, and still does, is the possibility that we may one day interact with machines that are our equals, emotionally and intellectually. This book gives us a glimpse of that brave new world.